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Iain Softley’s ( Backbeat ) return to Brit-film after US hiccups like K-PAX is welcome, but his stylish yet silly thriller takes too much swallowing to qualify as a happy-ever-after. Single White Female and Diabolique haunt this second riff on Sébastien Japrisot’s novel (there was a 1965 adap), where Tuppence …
Read More »Trap For Cinderella review
