From playful jabs to full-on parodies, The Matrix has been referenced endlessly across the 21st Century’s entertainment landscape. Netflix mega-hits, British cult comedies, and one of Keanu Reeves’ other big action heroes have all had The Matrix in their sights – and we’re here to count down 20 of the very best Easter eggs, homages, and references to The Matrix from the world of movies and television.

‘Leaning back’ in Squid Game

Even Netflix’s surprise sensation squeezed in a reference to The Matrix. After the fifth episode’s climatic tug-of-war, Player 212 asks The Old Man how he managed to get the upper hand. Player 212 makes pointed reference to the way The Old Man leaned back during the game. In her mind, at least, it’s a reference to something from pop culture, but she can’t quite put a finger on where from.

Ali, helpfully, pops up with the answer: it was reminiscent of Neo’s slow-motion ducking and diving to dodge bullets in The Matrix, specifically the scene on the rooftop with Trinity.

The Office’s alternate series finale

You might have memorized every scene from every episode of The Office, but you might not have seen this. The Office’s series finale has a cut opening scene all based around Dwight’s love of The Matrix – and acts as one of Jim’s most elaborate pranks.

It begins with a callback to The Matrix’s black cat déjà vu and spirals out into a grab bag of Easter eggs and references, from Neo’s office escape to Hank playing Morpheus’ ‘brother’. In a surprise – and hilarious twist – Dwight opts for the blue pill because he’s just been promoted to manager.

Scary Movie’s 360 kick

For a certain generation, Scary Movie was the poster child when it came to keeping its finger on the pulse and skewering pop culture’s hottest acts.

Predictably, given it released a year prior to Scary Movie, The Matrix ended up on its hit list. This extended fight sequence sees Cindy take down Ghostface with a series of moves plucked from The Matrix, including a 360-degrees kick and… a Bullet Time Riverdance. You do you, Scary Movie.

It also features one of the movie’s best visual gags, as Ghostface leans back and dodges a dish thrown at him by Cindy – only to pull out his back and remain frozen in the excruciating position.

The Simpsons aren’t N-Sync

Springfield’s favorite family has lampooned The Matrix multiple times since the 1999 classic’s original release, but no moment is quite as funny as N-Sync’s guest appearance on The Simpsons’ “New Kids on the Bleech.”

In the season 12 episode, the N-Sync lineup help motivate Bart’s new boy band to help save the day with their own dance routine. It all ends – this being 2001 – with a Matrix freeze-frame. But there’s a hitch: band member Chris Kirkpatrick can’t defy gravity for long and falls flat on his face. D’oh.

Fiona’s hard-hitting Matrix homage in Shrek

You seemingly couldn’t head to the cinema in the early 2000s without a movie spoofing The Matrix’s iconic fight scenes – and Shrek is no different.

Towards the end of their journey home, Shrek, Donkey, and Fiona are badgered by a sleazy Robin Hood. Fiona, though, has no time for the all-singing, all-dancing shenanigans of the archer and his Merry Men, taking them all out in a sequence that sees Fiona ape Matrix’s Bullet Time. As the camera pans 360 degrees, Fiona finds time to flip her hair back in mid-air before delivering the final blow. Neo, eat your heart out.

John Wick needs guns. Lots of guns.

Aside from Neo, Keanu Reeves’ most trigger-happy hero is undoubtedly hitman John Wick. While the two – thankfully – won’t ever get into a shootout, John Wick 3 includes a pretty unsubtle nod to one of Neo’s most iconic lines.

During the siege on The Continental, Ian McShane’s Winston asks John what he needs. His reply? “Guns. Lots of Guns.” There’s a reason why that line is delivered with almost a knowing wink from Reeves; it’s echoing the exact same line Neo said to Trinity in The Matrix’s lobby scene.

Spaced’s Agent fight

Spaced was a cult classic British comedy written by and starring Simon Pegg and Jessica Stevenson as a pair of down-on-their-luck twentysomethings who pretend to be in a relationship so they can share a flat. The series, directed by Edgar Wright, was filled with so many Easter eggs that pop culture obsessives would often wear out their VHS tapes after going frame by frame. 

One of the more on-the-nose nods comes when a pair of Agents asks Daisy to come with them. It escalates into a Matrix-esque fight scene, including Daisy pulling out Neo’s cheeky ‘come and get me’ hand gesture.

Duke Kaboom’s Woah in Toy Story 4

If there’s one thing Keanu Reeves is best known for saying through his career, it’s ‘Woah.’ It’s Neo’s own mind-blown inflection, though, that gets the parody treatment in the end-credits sequence of Pixar’s Toy Story 4.

There, Reeves voices Canadian daredevil Duke Caboom – and asks Ducky and Bunny whether they really have laser eyes. After all, the plushy duo have a knack for embellishing their tall tales. When they reply that they do have laser eyes, out comes Keanu Reeves’ iconic line. This scene mirrors Neo’s ‘woah’ in The Matrix after he sees Morpheus leap a building in a single bound.

Agent Smith in Joker’s gang in the Lego Batman movie

Batman’s nemesis has been around for 80 years and, in that time, has thrown together a motley crew or two to take on The Dark Knight. But all pale in comparison to the gang brought together by the Crown Prince of Crime in the Lego Batman Movie.

Joker helps break several villains out of the Phantom Zone to help with his sinister schemes during the movie’s runtime. Chief among them is Agent Smith, who accompanies the likes of Sauron, the Daleks, and Voldemort in Joker’s misadventures. Talk about bad influences.

Neo ain’t got nothing on Speedy Gonzales in Space Jam: A New Legacy

Space Jam: A New Legacy was a slam dunk for Warner Bros. fans, remixing and reworking some of the studio’s most famous properties as a backdrop for an all-star basketball game like no other. When LeBron James is forced to reform the Tune Squad, he and Bugs Bunny chance upon Granny and Speedy Gonzales in The Matrix. I can’t believe I just had to type that sentence.

As law enforcement closes in, Granny and Speedy Gonzales – as Trinity and Neo respectively – whip out a few of The Matrix’s most gravity-defying moves, while Speedy Gonzales declares that “Neo ain’t got nothing on me.” 

Kung Pow! Enter the Fist’s Matrix cow fight

Kung Pow! Enter the Fist is a martial arts parody that spoofs some of the greats of Hong Kong cinema. It also finds time to have fun at The Matrix’s expense during a fight scene between the movie’s lead The Chosen One and… a cow. Yes, you read that right.

Following a hilariously brutal bovine beatdown, the cow gets the upper hand and shoots milk out of its udders. The Chosen One, sensing danger, suddenly channels Neo and dodges the dairy in trademark Bullet Time fashion. Udderly wonderful if we do say so ourselves.

Coincidence or callback? Star Wars: Attack of the Clones’ amazing Matrix Easter egg

This Easter egg in a galaxy far, far away has been hotly debated ever since it was uncovered in 2015. While on the hunt for Zam Wesell, Obi-Wan and Anakin find themselves at a bar and Ewan McGregor’s Jedi Master is offered some death sticks. It’s here where things start getting very weird.

The actor of the death stick-dealing character is Matt Doran, who also plays the man who built the iconic Woman in the Red Dress Program in The Matrix. Incredibly, the woman who plays the Woman in the Red Dress – Fiona Johnson – appears seconds after the death sticks scene in Attack of the Clones, trying to get Anakin’s attention in the same way she grabs Neo’s attention. Fans believe it’s an extremely deep-cut nod to The Matrix by George Lucas, but you’re free to go down the rabbit hole yourself and make your own minds up.

Neo’s introduction gets a callback in Westworld

When we first see Neo sleeping at his computer in The Matrix, a song can be heard blaring from his headphones: Dissolved Girl by Massive Attack. That also plays during the party Dolores attends during the season three premiere of HBO’s trippy sci-fi series, Westworld.

Immediately following that moment, a man in a tuxedo is seen talking about how the entire world could be a simulation. Sound familiar? While the show’s creators have never outright confirmed the Easter egg, it’s almost certainly a cute homage to a franchise in The Matrix that helped pave the way for high concept shows such as Westworld.

Jeff Winger’s Matrix blind spot in Community

Community is a hotbed of pop culture references, Easter eggs, and deep cut sight gags that only diehard fans would get. In true Dan Harmon fashion, Community’s Matrix mention comes within an episode that is a full-on parody of G.I. Joe.

Here, “Wingman” – AKA cocky lawyer Jeff Winger, now in ‘80s animated form – compares his power to that of The One: “I am Neo in the third act of The Matrix. I’m also Neo in the first act of the second Matrix,” Winger said. In typical Jeff fashion, he admits he “didn’t get around to seeing the third one.” So we have no idea if Wingman has the ability to jump into someone and kill them a la Neo at the end of Revolutions.

Chidi’s childhood poster in The Good Place

Chidi is, as the kids say, a ‘big mood’: a swirling pit of anxiety and indecisiveness with a crush on Carrie-Anne Moss’ Trinity. When the philosopher meets his idol, Hypatia of Alexandria (Lisa Kudrow), he freaks out and says he says that he had a poster of ‘her’ on his bedroom wall in high school. Except it was a poster of Trinity – which Chidi saying that’s how he imagined ‘Patty’ would look like. Even in the afterlife, Chidi is clearly a massive Matrix nerd.

Bender’s binary dream in Futurama

The Matrix’s analog-heavy technology and use of green text/code on black screens is now pretty much accepted as pop-culture shorthand for hacking or jumping in and out of a simulation.

It’s no surprise, then, to see it make its way into Futurama, a sci-fi series set in the year 3000. In the episode “A Head in the Polls,” Bender has a nightmare – in binary, naturally. The numbers 0 and 1 fill the screen in Matrix-esque green code, before the bending robot wakes up screaming that he “thought he saw a two.” Fry reassures him that there’s “no such thing as two.” Some hardcore Matrix fans might well wish that was the case.

There is No Spoon in Dog Soldiers

This is probably the most shoehorned-in Matrix reference on this list. In this 2002 action horror, Spoon (Darren Morfitt) has a last stand against a pack of werewolves alongside his fellow soldiers. He manages to take one down in the kitchen, throwing literally everything but the kitchen sink at the beasts.

Spoon is eventually killed and his carcass ripped to shreds. Upon discovering him, the soldiers remark that “there is no Spoon.” Brilliant.

Hey, Will and Grace: The Matrix called, they want their coat back

The Matrix may not have revolutionized fashion in the way we hoped – indoor sunglasses and leather coats have gone the way of the fashion dodo since 1999 – but its sartorial impact still lives on through jokes such as these.

When the eponymous Grace (Debra Messing) walks into Will’s office, he jokes that “everybody from The Matrix called. They want their coat back.”

Stop Trying to Hit Me and Hit Me (Team America)

Samuel Jackson shows up in Team America: World Police (voiced by Fred Tatasciore) and attempts to stop Chris and the other members of Team America from storming Kim Jong-Il’s peace conference.

During the ensuing fight scene, Samuel L. Jackson tells Chris to “Stop trying to hit me and hit me,” a knock-off of Morpheus’ line to Neo while he’s attempting to teach him kung-fu. Chris duly obliges, splitting his head open and killing him, a joke that only Trey Parker and Matt Stone could get away with.

Cartman as Morpheus in South Park

After Cartman’s prank on Butters (who believes he’s playing on a VR headset but is instead committing crimes in real life), he shows up in Butters’ hospital room dressed as Morpheus to convince him that he’s still in the VR world. The parallels to Morpheus taking Neo down the rabbit hole are obvious – except only one of them is a foul-mouthed 10-year-old from Colorado.

Need a catch-up on everything that’s happened in The Matrix so far? Then be sure to check out our The Matrix explained recap. And for something new to watch, check out our picks of the best sci-fi movies of all time.

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With a fourth, The Matrix Resurrections, being released, we’re casting our eye across the standout moments from the original trilogy, highlighting the scenes that had us all trying to figure out what was the truth and what was just a simulation. Scroll below to see which moments made the cut and if your favorite made it onto the list.  

 20. Club Hel Coat Check 

A scene from the lesser loved The Matrix Revolutions, which might not be as consistent as its predecessors, but still has some fantastic action sequences scattered throughout. One of its best comes early on: Morpheus, Trinity, and Seraph head to Club Hel in a bid to free Neo from the limbo he is stuck in. As the gang enter, they meet a room full of bodyguards who are armed to their leather-clad teeth.

This scene is exactly what the series does best, an exciting mix of slow-mo gunplay, physics-defying choreography as the guards leap onto the ceiling to continue fighting, and breathless kung-fu. While it’s a pretty swift fight, it proves that the Wachowskis could still serve up the action goods in between the more philosophical beats of this story. 

19. Neo meets The Architect 

There’s no denying that this scene requires a few viewings to make sense of, as Neo meets the “father” of The Matrix, who explains to him how the concept of “The One” is built into The Matrix and that it is now in its sixth cycle. What makes it sing though is the scene’s inspired look – with screens on every wall surrounding Neo and The Architect – that is arguably one of the most memorable across the series. 

On top of that, Helmut Bakaitis’ performance as The Architect helps carry the exposition he’s clearly there to deliver, providing an entitled and verbose dismissiveness that fits a character who has seen this situation play out again and again. 

18. Trinity’s Death

Coming towards the end of The Matrix Revolutions, this scene toys with the audience. After a crash in the real world leaves Neo and Trinity wounded on the floor, Neo crawls towards Trinity, and it becomes clear that something isn’t quite right. That’s when the Wachowskis hit us with a wide shot of Trinity impaled by several different pipes. 

While this scene sticks in the mind because of the shock of that twist, its real power comes from turning the attention back onto the personal journey of the couple, with Carrie-Anne Moss resigned whispers adding a real poignancy to the scene.

17. Cypher’s meal 

While it’s hardly a scene that would keep action fans’ appetite sated, the reveal that Cypher is working with Agent Smith is one of The Matrix’s most underrated scenes. Presenting a pretty compelling reason for wanting to forget his knowledge of the real world and go back to the way things were before he took the red pill, Cypher’s betrayal works because of Joe Pantoliano’s excellent performance.

The actor moves between oily self-satisfaction (the way he chews a steak that he knows to be fake is exquisite, as is the line reading of “ignorance is bliss”) and subtle uncertainty that creates a memorable dynamic with the more stern Agent Smith.  

 16. “Not Like This”

That betrayal comes to fruition in one of the first movies’ most harrowing moments, as we see Trinity, Neo, Apoc, and Switch all try to leave The Matrix, only for Cypher to taunt them over the phone. Having already made it back into the real world, he then callously tells Trinity how he’s going to pull the plug on them all, killing them off one by one.

This leads to Switch’s tearful (and now, frequently meme’d) death. Staring up at Trinity from Apoc’s dead body, Switch can only mutter “not like this” before Cypher yanks out her connection to The Matrix and kills her too. It’s a merciless end, made all the more effective because of the ratcheting tension of an increasingly frantic Cypher who goads Trinity from the safety of the Nebuchadnezzar. The fact that their deaths are so swift only makes it feel more tragic.  

15. Agent Smith questions Mr. Anderson 

The Matrix might be known for its kinetic action, but it’s only fair to mention the skin-crawling body horror that the Wachowskis’ conjure up throughout the series. No moment sticks more in the mind than the first time Agent Smith questions Mr. Anderson, as what starts as a benign tête-à-tête quickly evolves into something far more sinister. 

Part of the power of this scene is in Hugo Weaving’s performance, whose muted glee in torturing “Mr. Anderson” only adds to the horror of having to watch skin form over his mouth and have a tiny machine crawl into his belly button. A disturbing moment that hints at the horror of what The Matrix can do. 

14. The Jump Program 

As part of Neo’s training, Morpheus shows him what is possible inside of The Matrix, including defying gravity to leap from building to building. It also gives the film one of its funnier scenes, as the crew of the Nebuchadnezzar gather around to see if Neo can actually make this jump. 

Keanu Reeves laconic performance might be best remembered for how well it works in the action sequences, but his muted “Woah” at Morpheous’ leap deserves credit for being knowingly funny, while the Road Runner-esque fall to the ground which he sinks into before being spat out is also surprisingly chucklesome. Everyone might fall the first time, but at least the film wrings a laugh out of it.  

13. The Burly Brawl

In this fight from The Matrix Reloaded, Neo and Agent Smith come face-to-face once more, except this time, Smith is a rogue program and is able to produce hundreds of clones to bring to a fight. While Neo’s expanding powers mean he can hold his own, we get to witness a punch-up for the ages, as the crowd of Smiths try to overwhelm Neo. 

While some moments of CGI lessen the effect these days, there’s a real thrill from seeing this sea of Smiths try to better Neo. From the first kick, the scene has a real ferocity, as blows are traded with increasing speed and the Wachowskis keep things fresh by introducing innovative ways for Neo to bring the pain. The stand-out? A pole with concrete he rips out of the ground and pummels into an unfortunate Smith.  

12. Morpheus explains The Matrix

After Neo takes the Red Pill and wakes up for the first time in the real world, Morpheus plugs him into the construct to teach him about the reality he – and by extension, we – didn’t know about. What could have easily been an exposition dump is something far more memorably here though, as the blindingly white set of The Construct gives way to the scorched Earth that humans now live under.

This scene also gives us some truly inspired sci-fi imagery, from the faded leather chairs in the construct to the fields of babies being grown. Like the interrogation scene above, it’s a stand-out example of the horror that sits at the heart of The Matrix.  

11. Neo comes back from the dead 

The Matrix’s finale sees Smith seemingly get the best of Neo, shooting him point blank before he can pick up a phone to get out of The Matrix. As all hope looks lost, Trinity tells Neo’s body in the real world to get up in The Matrix and – surprise! – he does. Neo is now able to see the world in The Matrix’s code, with the Agents at the end of the hallway all humming bright green, while lines of code fall down the sides.

This gets the spot on our list not only for the gratification of Neo finally realizing his true power – Keanu’s bored face at taking on Smith once he gets back up is really a treat – but the way it takes a moment that could feel quite cliché and imbues it with enough visual flair to make it standout. 

10. Highway Chase

The Matrix Reloaded introduced some new elements to the series’ action with this car chase as Morpheus, Trinity, and the Keymaker flee the Chateau while being chased by the ghostly Twins. What starts as an adrenaline-pumping chase along the city streets escalates even further once it hits the freeway and we see a medley of car flips, explosions, and death-defying leaps. 

Morpheus slashing a car’s tires to make it flip and then shooting the underside to cause an explosion is as cool as anything we see in the series, and Trinity’s motorcycle dash with the Keymaker is a frantic climax to one of the sequel’s best moments.   

9. Neo and Smith Final Fight

While there are plenty of Neo and Smith fights to choose from – just look up and down this list – their final fight feels suitably operatic to make the top 10. Heading back into The Matrix to take on the rampant rogue Smith, Neo comes face to face with his nemesis for the last time. 

The torrential downpour might feel a tad on-the-nose, but there’s no denying it doesn’t lend the scene a certain quality, especially as we see the pair create a sonic boom out of it. On top of that, The Wachowskis throw everything at it, from a moody silhouette shot to slow-mo sprints in the rain, giving this great pairing the climax they deserve. 

8. Chateau fight

As moments go, few in The Matrix possess the eye-widening style of Neo holding his hand up to stop thousands of bullets in their path. While it tips its head back to the finale of the first film, it also gives audiences a reminder of the power that Neo now possesses, his abilities getting stronger inside The Matrix. It’s a moment where Keanu’s stoic nature is given the perfect showcase.

On its own, it’s worthy of making this list. The fact it’s just a prelude to one of the series’ better fights means it deserves to be high up, as we then watch Neo take on a wave of medieval weapon-wielding thugs, which gives a more surreal twinge to the usual kung-fu set-pieces. 

7.  Agent Smith’s interrogation

Hugo Weaving’s Agent Smith is the cold and calculating uber-villain that sits at the heart of The Matrix, but the scene where he interrogates Morpheus ranks as some of his best work across the series. 

His calm description of the human race as a virus, logically setting forth human’s inability to create an “equilibrium” with their surroundings, is an all-time great villain’s monologue, but it’s when a chink of anger comes through – seething at Morpheus that he hates “the smell” – that Smith’s character becomes far more intriguing, as we get our first glimpse at how the Agent might not be so loyal to The Matrix.  

6.  Trinity’s escape

The opening to The Matrix puts its best foot forward, setting up the world without giving you too much idea of what is going on. From the moment a police unit make the mistake of trying to apprehend Trinity. We then get a sample of all the delights the film will serve up over the next two hours.

Starting from the spinning shot of Trinity holding her pose in the air before kicking a cop away to a rooftop chase that sees a leap of faith, the opening sets up expectations while introducing how its unique world works, instantly establishing the visual style that looks as bold today as it did back in 1999. 

 5. Red Pill or Blue Pill? 

The journey into the rabbit hole begins with this simple choice from Morpheus. Does Neo continue to live in his dream world or find out the truth? From this simple line of dialogue, and arresting use of color, we’re left eager for Neo to take a trip with Morpheus.

What really makes this scene work though is how disconcerting the mise-en-scene is. From Morpheus sunglasses that reflect the choice Neo has ahead of him, to the dingy and rundown room that just doesn’t feel real itself, the grungy aesthetic works here because to want to see what lies beyond it. 

4. Subway fight

This fight towards the end of the first film sees Agent Smith and Neo take each other on in a pretty grotty-looking subway. That dirt doesn’t get in the way of an all-time classic brawl though, which starts with Neo and Smith leaping through the air in slow-motion at each other, trying to shoot each other before running out of bullets and turning to their fists.

That shot alone, with the pair the focus as the camera swirls around them, could have earned this scene a spot on the list. It’s the fast-paced fistfight that comes after that truly elevates it, as we get a sense of the power that both fighters have. From Neo’s running kicks to Smith’s body blows, it’s a scene that makes you feel each punch. 

3. “Dodge this”

One of the flashiest shots across the entire trilogy – and almost certainly the first thing you think of when you hear the phrase “bullet time” – this scene on the roof when Trinity and Neo try to hijack a helicopter is a doozy. We watch as Neo is cornered by an Agent before being able to dodge the bullets that are fired at him, the camera rotating around as we see Neo gracefully weave his body lower to the ground. 

When two bullets graze his legs though, he looks to be in trouble. Trinity re-enters to place a gun next to his head and utters the series’ most memorable line: “Dodge this”. The effortless cool of Carrie-Anne Moss’s performance here is matched by the scene’s roving camera, first pirouetting around Neo before a close-up on Trinity’s gun that highlights a rare victory over an Agent.   

2. The Sparring program

As part of Neo’s training, he gets to spar with Morpheus, where they essentially kick seven shades out of each other. However, while the action in this scene is top-notch – from Neo being kicked across the room into a wooden beam to his ability later to throw punches at eye-watering speeds – it’s the charisma that Laurence Fishburne brings to the scene that makes it so memorable. 

Whether it’s gesturing for Neo to bring a fight with his hand, politely enquiring if Neo thinks he’s breathing air after one heavy session, or bellowing “Stop trying to hit me and hit me”, there are so many moments here that showcase why Morpheus is a natural leader and Fishburne’s charm is crucial to that.

1. The Lobby

Could there really be any other scene taking our top spot? With Trinity and Neo heading back into The Matrix to rescue Morpheus, they devise a plan that needs guns. Lots of guns. What follows is utter carnage, as Neo and Trinity rain gunfire on everything The Matrix throws at them, cartwheeling past bullets, running along walls, and dishing out plenty of punches as well. 

The reason this scene tops our list is because it feels like the perfect distillation of the entire series’ charms. The punchy action had a tempo that few films could match, with the scene’s propulsive score driving up the adrenaline, along with the similarly impressive camera work, where we see slo-mo shots of Neo charging through gunfire. There’s also the attention to detail in the set design, with pillars crumbling away into dust as they’re pelted bullets, giving the scene a tactile feel, as if you’re breathing in the rubble Neo and Trinity are creating. In a series that has more than its fair share of iconic moments, this ranks as the best of them all. 

Need a catch-up on everything that’s happened in The Matrix so far? Then be sure to check out our The Matrix explained recap. And for something new to watch, check out our picks of the best sci-fi movies of all time.

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