Picking up 12 years after the events of 1996’s Duke Nukem 3D, the long-overdue sequel forces foul-mouthed cardboard-cutout Duke out of retirement to fight off another alien invasion. Or maybe it’s just the second half of the same alien invasion, seeing as how the aggressors are updated versions of the familiar Pigcops, assault troopers and Battlelords that menaced players in DN3D, now here to kidnap Earth’s women and make Duke look like a chump.

Of course, it’s all just a flimsy backdrop for silly, gruesome alien carnage and crude gags – or at least, it should have been. DNF starts off promisingly enough, with a current-gen re-creation of the final boss battle from DN3D, but quickly goes downhill when it’s revealed to be a game Duke is playing. Now retired and living in a 69-floor (hurr) Vegas casino/monument to his own ego, Duke has to travel downstairs and try to appear on a talk show before the alien invasion happens, at which point you have to run to his secret “Duke Cave” to initiate a lengthy conversation and a turret-shooting sequence. All of this, incidentally, will take around 20-30 minutes to play through, and it’s peppered with dated pop-culture gags and annoying NPCs.

So, OK, that’s just the intro. Lots of games take a while to get off the ground, and given DNF’s surprisingly long run time – anywhere from 12-16 hours, depending on how good you are at staying alive – it’s a pretty small chunk of the game. But it’s also an introduction for some irritations that stick with the game throughout, like textures that are either slow to pop in or just plain blurry; inexplicable visual stuttering; women who are uniformly depicted as squealing airheads; and occasional stabs at lame jokes.

Oh, and the load times. Easily the worst thing about Duke Nukem Forever, the loading screens that pop up after every death or transition to a new level tend to take 30 seconds or more. And while they’re a minor irritant at first, you’ll eventually learn to fear them. Late in the game, after your fourth or fifth death at the hands of the same cheap-ass boss, they’re an infuriating roadblock that makes playing through the game significantly more frustrating. (And in case you’re wondering, installing the game to the 360’s hard drive did nothing to shorten them.)

Above: Also, we’re pretty sure alien motherships shouldn’t look this blurry in 2011

When the shooting finally starts, things definitely improve – but even then, DNF’s a mostly average shooter, with rare moments of brilliance. Decapitating pigcops with a shotgun is fun, sure, but it’s nothing you haven’t seen before – and even if that’s all you really want from the game, you’re probably still going to be disappointed.

Some early reviews have said that DNF hasn’t really changed since the days of Duke Nukem 3D, and that’s partly true. The enemies look and behave more or less the same as they did in DN3D, and while a few unspectacular alien guns have been added to Duke’s arsenal, the weapons you’ll actually want to use – which range from shotguns and pipe bombs to shrink rays and freeze rays – are nearly identical to their DN3D counterparts. (A couple of the non-weapon items from DN3D return as well, specifically the Holo-Duke decoy and a bottle of steroids, and they’re joined by beer – which makes Duke tougher – and Duke Vision, which enables him to see in the dark.)

Above:Actually,wandering aroundblind here might be less creepy

At the same time, DNF actually has undergone a lot of changes from DN3D. It’s just that they feel like strained attempts to fit in with modern shooters, and very few of them are for the better. Where Duke once was able to carry a full arsenal everywhere he went, he’s now limited to just two guns at a time. Where he could previously soak up bullets like a sponge, he’s now at the mercy of his “Ego” health meter, which is quick to recharge, but so fragile that it can’t take more than a few hits before he’ll need to scramble for cover. (You can permanently add onto it by finding “ego-boosting” items, however, which helps a little.) It’s all very Halo,and it diminishes thefeeling of being an overpowered, steroid-pounding badass.

Worse, the shooting’s been broken up with faintly annoying seesaw-physics puzzles (i.e. throw some heavy barrels into this shipping container to make it tip over and form a ramp you can climb), which crop up almost as frequently as the unnecessary, button-mashing quick time events. And where Duke once had the choice of paying strippers to flash him, or cruelly blasting them into gibs, he’s now forced to put up with the company of numerous invulnerable NPCs – almost none of whom are strippers – who don’t even have the decency to flinch when shot.

Above: See?

The real clincher, however, is the impact you now have on your environment. While DN3D filled its levels with interesting, incidental objects that invited experimentation and destruction, DNF mostly settles for giving you a lot of things to poke at – like answering machines, calendars, playable pinball machines and a couple surfaces you can draw on – and leaving it at that.

A perfect example of this is the toilets. In Duke Nukem 3D, it was possible to find a toilet, piss in it, blow it up with a pipe bomb and drink the resulting geyser of water for health. Maybe you’d even blow up the wall behind it, if you were lucky, and find a hidden cache of cool stuff. This time around, toilets are indestructible, and good only for a useless, one-note pee joke and maybe – maybe – the occasional floating turd that you can grab and fling around uselessly. That’s kind of interesting, I guess, but throwing shit simply isn’t as much fun as breaking shit.

Above: Hooray(?)

That’s all disappointing, but again, DNF does have some cool moments, most (but not all) of which come toward the end of the game. A handful of the levels shrink Duke down to the size of an action figure, for example, which turns otherwise unremarkable environments into enormous jumping puzzles, filled with similarly tiny enemies (or, more menacingly, full-sized ones that aggressively try to stomp Duke flat). One of these levels even gives you a little RC car to pilot, although driving it through floor after floor of a burning casino gets kind of tedious, especially considering you’ll have to frequently stop and figure out some puzzle to clear the way for your ride.

The post Duke Nukem Forever review appeared first on Game News.

With so many missteps since the last major hit, what could the franchise do to regain its former glory? Ignore all the mediocre stuff and take things back to the original three games that started it all.

Above: And that means a lot of blood

For the most part, this new MK sticks to the characters and tone of the first few games, meaning tons of vicious, mean-spirited attacks with just a hint of humor; groin punches and hilariously excessive fatalities are in, farting attacks and tacked-on kart racer minigames are out. Even the roster preys upon the world’s fondness for MK1-3, pulling just about every single character from those early days into one game. It’s clear developer NetherRealm’s goal was to tug at our misty-eyed recollections of the past, and on that front, it totally succeeded.

Above: Classic backgrounds reappear, like this tournament scene from the very first game

Above: The MK2 armory returns with loads more background detail

Above: I’m sure we all remember the Living Forest?

Above: Even MK3’s memorable areas have come back, and in many cases have story-based context now

Beyond the superficial pandering lies a commendably fun scrapper that mixes successful elements of the first three games. Combat falls somewhere in between MK2 and MK3, with emphasis on chaining normal moves into specials; stringing combos together is slightly more freeform than MK3’s infamous “dial a combo” system that only allowed combos with pre-set button combinations, but it’s also not as open to experimentation as say, Street Fighter IV.

Speaking of SFIV, new MK freely cribs from not just Capcom’s workhorse, but also, of all things, Rare’s Killer Instinct. Along the bottom of the screen is a meter that fills up as you deal and receive damage. When one section is full, you can execute an “enhanced” version of any special move your character has; in other words, it’s the same as SFIV’s EX moves, where Ryu’s fireball deals an extra hit or in this case, Kano throws two knives instead of one.

Above: C-C-C-C-etc

Two full sections give you the ability to cancel someone’s combo and break free of their attack. Both enhanced attacks and combobreakers have tactical applications that can increase damage or set up more elaborate moves, so they’re far from copycat afterthoughts. If you refrain from using those moves and fill up the meter completely, you have access to X-ray moves, which are this game’s equivalent to Street Fighter’s big-damageUltra Combos.

All these elements form a game that mostly plays like MK2, just with more juggle, combo and interrupt options. It’s great, flashy fun for button mashers yet rewards those who want to dissect each move and how it reacts with another, so in our opinion that makes this the “best” Mortal Kombat to date. That said, I noticed several instances where moves would connect when they really shouldn’t have, even cases where my fighter would be jumping over another and magically reappear back in front of the computer, somehow being thrown. Most of the time special moves behave like they should, but there were more than a few times were I legitimately could not understand why one move has priority over another, or why the hit range on one move is as wide or tall as it is.

But that’s getting into tournament-level play discussion, which is not how most of us will judge the new Mortal Kombat. And in all fairness, MK has always favored style over substance, and this time the “style” is shredded faces, broken bones and splattered blood, which all combine to create a thoroughly violent experience.

Above: Blood splatters dynamically on your fighter and the opponent, so no two victory screens are quite the same

Above: Take too much damage and the kombatants actually lose pieces of their head and costume

This persistent damage is purely cosmetic, but it does indeed add to the flavor. It helps convey how much these guys are pounding the hell out of each other, and when one finally stands tall as the winner, with his costume tattered and teeth showing through his jaw, it truly feels like a victory. Before, blood flew around the screen for the sake of blood flying around the screen; now, it helps sell the dark, macabre atmosphere.

Topping all this off are the aforementioned X-ray moves, which are devastating new attacks unique to this version of MK. Land one of these suckers and you can deal up to 50% damage, which, while cool for comebacks, is perhaps too much. We want to always have a chance at victory, but uh, some of these moves can turn the tide in a very un-fun way.

Above: Plus how the hell are they walking away from this??

These features make up the guts of the game (no pun int… fuck it, pun intended) and power all the other single and multiplayer components. I’ll get into those on the next page, which are all surprisingly awesome and worth checking out.

These features make up the guts of the game (no pun int… fuck it, pun intended) and power all the other single and multiplayer components. I’ll get into those on the next page, which are all surprisingly awesome and worth checking out.

The post Mortal Kombat review appeared first on Game News.