The Falcon and the Winter Soldier follows James Buchanan “Bucky” Barnes (Sebastian Stan) and Sam Wilson (Anthony Mackie) as they navigate a world without Steve Rogers. The MCU was always going to face some serious repercussions post-blip, but the Disney+ series is the first time we’re seeing the real fallout from half of humanity being gone for five years (outside of Monica Rambeau’s (Teyonah Parris) wake up in WandaVision). As if their “real world” problems weren’t enough, both men are forced to find out where their respective alter egos fit in a world where the Avengers currently don’t exist. 

If these post-premiere numbers are any indication, fans were pretty curious about what this new world looks like, too. The premiere posed a lot of great questions, most popular of which is just who does pay the Avengers? In the past, it’s just been assumed that it was Tony Stark (Robert Downey Jr.) footing the bill. But, even if that were the case, he probably would have stopped paying out salaries when he made an effort to put half of the team in a black site prison back in Captain America: Civil War.

Even without all these major questions and the complicated world, the MCU has found itself in, Disney+ has struck gold on the Mackie-Stan team-up. The chemistry between the two is undeniable, and the buddy-cop feel of the impending adventure is sure to keep wracking in the numbers for the streamer.

Catch up on the full MCU story so far with our guide on how to watch the Marvel movies in order

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Avengers: Endgame (opens in new tab) not only brought a story arc 22 movies in the making to an end, but also waved goodbye to Marvel Studios’ old guard. Chris Evans’ Captain America hung up his shield, while Iron Man – Robert Downey Jr.’s lovable playboy philanthropist who kickstarted this phenomenon – perished with an “I Am Iron Man” click of the fingers. Black Widow (opens in new tab) (though returning for a prequel solo movie) has her fate sealed, and even Hulk is lost in a complex battle of movie rights.

Following Endgame, there was no big post-credit teases and Kevin Feige’s grand plans for the next saga have not been revealed. Unfamiliar stories and characters such as Shang Chi and The Eternals (opens in new tab) are scattered throughout the next few years without a unifying force tying them together. The future of the MCU is, for lack of a better word, uncertain.

Yet, this almost comic book-style reboot of such a colossal cinematic universe could be a perfect opportunity to keep Marvel’s output feeling fresh, as well as building a genuinely, fully-fledged MCU 2.0 out of the ashes (and dust) of the old one – and it all begins with its first major steps into television.

Read more…

Marvel has a Hulk-sized problem: where does Bruce Banner fit into the MCU now? (opens in new tab)

Marvel has at least half-a-dozen MCU series in the pipeline at Disney Plus. No longer constrained by the runtime of your average movie, Marvel can tell the stories it wants, how it wants. If Falcon and the Winter Soldier needs eight episodes, WandaVision six, and Loki a multi-season package, then Disney Plus is the right place for it. There are no hard and fast limits anymore.

That’s a transformative prospect. Marvel’s television wing not only allows more narrative depth and a greater amount of world-building, it also means new voices can be heard, and more diverse characters can come to the fore, such as Ms. Marvel, the MCU’s first Muslim superhero.

However, it’s how the upcoming television series will feed into the movies that’s the biggest factor at play here. Instead of painstakingly scattering breadcrumbs across post-credits to help set up the next big event, MCU on TV can do the same thing. WandaVision, for example, is likely to segue into Doctor Strange and the Multiverse of Madness, with Elizabeth Olsen’s Scarlet Witch poised to appear in both.

Post-credits, once Marvel’s big trademark swing for the fences to help set up years’ worth of storylines, could perhaps then be used to help elevate the fledgling, nascent series that are springing up in Phase 4. These tags can act more like what we saw with Spider-Man: Far From Home (opens in new tab) and its shocking progression of Spidey’s own personal story. That makes them seem like a bigger deal, instantly hooking fans primed for a sequel, and can stop the (admittedly rare occasion) where Avengers-centric post-credits can overshadow entire movies. I’m looking at you, Ant Man and the Wasp (opens in new tab).

A Marvel-ous future

In fact, making each Phase 4 entry more distinct and separate from other Marvel entries can actually help, not hinder, the diverse selection of upcoming movies. Whisper it, but Marvel may have also taken a glance over at DC’s roster for inspiration, insomuch as realising that not everything needs to connect.

Sure, a Big Bad will eventually emerge in this shared world, but The Eternals, Shang-Chi, and Florence Pugh’s probable emergence as Black Widow need to stand on their own two feet and show off what they bring to the MCU, not what the MCU adds to them. It’s a smart, if undeniably risky, move to open with that relatively unknown trio, yet it speaks volumes of Marvel’s desire to forge new franchises. Instead of returning to the tried and tested formula that led some naysayers to have the opinion that Marvel Studios is nothing more than comic book movies made by committee, there’s suddenly the expectation of something inherently new.

The changes and departures from Phases one through three don’t stop there. Even the older characters that are returning have had their status quo shaken up in a big way.

In the Multiverse of Madness, backed by Sam Raimi, Doctor Strange will step into the realm of horror, a welcome genre-specific introduction in a cinematic universe that has already seen great success with political thrillers (Captain America: The Winter Soldier (opens in new tab)) and apocalypse movies (Avengers: Endgame).

Similarly, Thor, too, will find his usual place in the story shifted. In fact, he won’t even be the only Thor in his own movie. Thor: Love and Thunder (opens in new tab) will see Natalie Portman’s Jane Foster return with her very own Mjolnir. Both characters either fundamentally changing their dynamics or stepping aside so someone else can have the spotlight is indicative of a Phase 4 that is shunning repetition in favour of using the older characters as a means to try slightly more inventive ways of bringing comic book movies to the masses.

Marvel’s Phase 4, then, is uncharted territory for a studio that can seemingly roll out a billion-dollar hit without breaking a sweat. Gone are the box-office mainstays and, in their place, are a handful of new characters, new twists on familiar faces, and even a new medium in television. Kevin Feige and company have to start from Ground Zero once more. It’s scary, sure, but most of all it’s a tantalising challenge waiting to be met: a creatively invigorating, ambitious slate filled with diversity, fresh stories just waiting to be told, and a blank space ahead of them. Just like it was back in 2008.

• How to watch the Marvel movies in order (opens in new tab) 
• MCU recap (opens in new tab) 
• MCU timeline (opens in new tab) 
• New Marvel TV shows (opens in new tab) 

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“Kevin Feige just asked me last week if I had any more ideas or stories for the Hulk,” Ruffalo explained during an appearance at Tokyo Comic-Con (via Comicbook.com (opens in new tab)). “And I said ‘Yeah, I think there’s still some stories to tell.’ And he said, ‘Well why don’t you come in and tell me about them and we’ll see if we can find a place for you in the Marvel universe?’”

Ruffalo revealed that his major idea was Hulk vs. Wolverine. “I’d like to see that,” the actor stated, perhaps understanding the sheer willpower of millions of MCU fans who would probably quite literally burst into tears at that match-up making it to the big screen.

In another multiverse, we could have already seen a ridiculous Wolverine crossover. Fox had banked on a big Fantastic Four vs. X-Men crossover (opens in new tab) in the early 2010s, which would have featured ol’ Wolvie himself being dismembered by Mister Fantastic.

While that never came to pass (can you imagine?), there is still the very real possibility for Hulk and Wolverine to cross claws and fists down the road now that Disney has acquired Fox and its stable of superheroes. Plus, it’s nice to know that one of the founding Avengers is still very much in the forefront of Kevin Feige’s mind as the MCU enters a brave new world.

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Speaking to Collider (opens in new tab), Feige reveals the thought process behind bringing the Eternals into the MCU now: “Everything after [Avengers] Endgame, and after Spider-Man: Far From Home, will be different and be unique, as we try to make every film.”

Just how different and unique will it be? Try having a movie set across thousands of years, and you’re probably in the right ballpark. Feige doesn’t outright say it, but hints heavily that Jack Kirby’s 1976-1978 comic run on The Eternals that “spans tens of thousands of years” is something that something that “we find appealing.”

As you can probably tell by the name, it’s not too much of a stretch to see the group show their face everywhere from Ancient Greece to Avengers Tower. As Kirby himself explains in the comic, “The Eternals bred few in number and were immune from time and death. Like the gods, they lived apart from all other living beings.”

So, that’s that cleared up then. But one thing that might be on the mind of many Marvel fans, as it always in when a new hero or group arrives on the scene, is how will they be introduced? Feige is leaning more towards a Guardians-style entrance, with the team already formed, rather than a piece-by-piece build-up in the style of the Avengers, saying: “We like the idea of introducing an ensemble, doing an ensemble movie from the start, as opposed to building up as we did with the first Avengers. More like Guardians, not tonally, but in terms of introducing a new group of people.”

An invincible set of beings who will show up out of nowhere fully-formed, having been around for all of human history? It’s a tough sell. But then again, so was a talking raccoon and a tree dancing to Michael Jackson. I think Marvel can stick the landing – and then some, even if the Eternals release date is still just out-of-reach for the time being.

Image credit: Marvel/Jack Kirby & Frank Giacoia and John Verpoorten

Whisper it, but this might be potentially be the most exciting of the new Marvel movies (opens in new tab) coming our way…

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