All storm-faced introversion, Tautou’s Thérèse is a “serious girl” whose pursuit of a safe life leads her to marry a landed prig (Gilles Lellouche) who’s rubbish in the sack.

Miller’s pacing is no sexier, turning the cut-up narrative of Francois Mauriac’s 1927 novel of the same name into a joyless plod.

Thankfully, things pick up when Thérèse tries to poison her other half… without the presence of Tautou, this would be a dry heritage pic; with her, it brews a sense of enigma that just about saves the day.

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