Tobias Tobbell’s micro-budget thriller aims high, with nods to Panic Room and Repulsion . But this is yet another under-powered, clichéd Brit-crime fiasco.

A meagre narrative is cynically doused in torture and cleavage shots, while any tension withers on an overlit set.

Gossip-mag fave Lowe does her best, until a risible last-act twist exposes her inexperience. Still, anything’s better than Bennett’s panto villainy.

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